創作理念：《植物1》（Plant 1）

在《植物1》的創作過程中，我將植物視為一種介質，用以探討生命存在、感知轉譯與繪畫肌理之間的辯證關係。

這幅作品並非對自然客觀形體的再現，而是我將自身投入自然場域後，所凝結出的主觀心象。視覺知覺是主體與世界相遇的起點。當我凝視植物，我所描繪的不再是具體的花葉或枝條，而是它在時間流逝與空間擠壓下，所散發出的純粹生命張力。我試圖解構植物的有機造型，將其抽離、重組，轉譯為具備精神性沉澱的抽象語彙。

畫面中，藍綠交織的油彩與層層堆疊的筆觸，記錄了身體感知與畫布對話的痕跡。色彩的流動與線條的交錯，不僅捕捉了泥土的氣息與空氣的顫動，更在具象與潛意識的邊界上，交織出一種詩意的靜謐。對我而言，油畫顏料的物質性（Materiality）本身就是時間的容器。每一次的塗抹與渲染，都是對生命在靜默中爆發、消逝與重生的感性註腳。

Artist Statement: Plant I

In the creation of Plant I, I treat plants as a medium to explore the dialectic relation among the existence of life, the translation of perception, and the texture of painting.

This artwork is not a representation of the objective form of nature, but a subjective mental imagery condensed after immersing myself in the natural field. Visual perception serves as the starting point where the subject encounters the world. When I gaze at plants, what I depict is no longer concrete petals, leaves, or branches, but the pure vitality of life emanating under the passage of time and the compression of space. I attempt to deconstruct the organic shapes of plants, abstracting and reorganizing them into an abstract vocabulary with spiritual precipitation.

In the painting, the interwoven blue and green oil pigments and the layered brushstrokes record the traces of dialogue between somatic perception and the canvas. The flow of colors and the intersection of lines not only capture the breath of soil and the vibration of air, but also weave a poetic tranquility on the boundary between the concrete and the subconscious. To me, the materiality of oil paint itself is a vessel of time. Every stroke of application and rendering is an emotional footnote to life's bursting, fading, and rebirth in silence.